Boris - dronevil -final-

>> Tuesday, May 6, 2008


[Japan / Inoxia Records / 2006]

I'll just quote this text from aquarius records that just about sums up the whole thing:
"Dronevil is like the Japanese doom sludge version of the Flaming Lips' Zaireeka! Two discs, one drone, one heavy, intended to be played simultaneously on two separate stereos, but both equally listenable on their own.
The 'drone' disc is gorgeous, the first track is a shimmering swirl of sizzling cymbals, thick clouds of reverberating metal, sounding almost like some lost Organum track. Warm metallic swells, that undulate and subtly swing, layer upon layer of gorgeous high end sound. The second is a lugubrious trawl through some dimly lit cavernous underworld, thick tones swirl and drift, super minimal, like the slowed down sound of tolling bells, a slow motion ringing that shimmers and hums, like some distant soundscape viewed through thick panes of fogged up glass. The final drone track is another high end excursion, this time it's a whirl of densely layered tones, like sheets of feedback, played back at different speeds, creating strange tonal clusters and causing the various sounds to beat against each other producing subtle rhythms and streaks of upper register melody. Like a much more minimal Sunroof! or a Phil Niblock piece using Total outtakes as source material.
The sludgier disc (or the 'Evil' disc of the Dronevil pair) starts off with the 21 minute "Red", which starts off with some rumbling low end swells, mirroring the shimmering cymbals of it's ambient corollary on disc 1, then some abstract clean guitar, lots of space, about halfway through in come the keening distorted guitar feedback, streaks of psychedelic skree above the spacious abstract soundscape, finally about 15 minutes in the drums kick in, a simple post rock skitter, the clean guitars coalesce into a sort of Morricone-ish spaghetti western twang, above which some spare soulful leads drift and delicately soar, a slow loping groove like some strange slowcore hybrid of Codeine and Low. Dreamy and so good. The second track is where it actually gets heavy, a super distorted slow motion riff builds and builds until Boris are lurching along like some monstrous space rock behemoth, a sludgy trudge, thick walls of distorted guitar, simple pounding drums, all beneath wild psychedelic leads. Very Hawkwindy for sure. A brief near silent interlude sets us up for the hammer to fall, and it does, huge crumbling riffs dripping with filthy distortion, a sludgy black hole riff, and the wild psychedelic leads just keep getting more tangled and freaked out. So totally intense and heavy and super spaced out. The final track is another massive space doom workout. Heavy and thick and dense, but still somehow spacious and epic. Guitars grind and crunch but they also drift and hover weightless, the drums pound one second, and skitter jazzily the next, everything a huge swirling mass of psychedelic spaciness wrapped in massively thick guitars, ending in a barely there acoustic steel string coda.
Now when you play the two discs together it all makes sense. The heavy disc is so spare and spacey, because the first disc introduces all of these extra layers of sound, and the first disc is so abstract and minimal, because it's main purpose is to fill out the doom drenched space rock on disc two. But it barely matters. Together, the two discs perfectly meld into a killer postspacerock doom sludge record, heavy and dense and layered. Apart, you've got two amazing records, one super abstract free drone record, and one post slow core psychedelic spacerock record. You can't really lose either way.
And as always the packaging is absolutely breathtaking: a Japanese style mini gatefold, printed inside and out, black and light blue ink on thick textured brown cardstock, along the bottom a black and grey printed vellum obi, each disc in its own pocket and beautifully packaged with three circular plastic printed transparencies, all of the images combining with the printed image on the disc. WOW."

CD1 - drone
1. ほどけていく loose
2. めまいの椅子 giddiness throne
3. 干渉 interference demon

CD2 - evil
1. 振り切れた風景 red
2. ふりおろす evil wave form
3. 泣きたがるスピード the evil one which sobs

Both cds mixed together
1. ほどけていく loose & 振り切れた風景 red
2. めまいの椅子 giddiness throne & ふりおろす evil wave form
3. 干渉 interference demon & 泣きたがるスピード the evil one which sobs

some copies can be found here


DaveX May 6, 2008 at 12:47 PM  

Any chance you'll go back to using MediaFire? Rapidshare sucks, and those cats are driving me nuts. I'd rather what little money I have go to buying releases than to Rapidshare's premium user nonsense...

Khaos[] May 6, 2008 at 12:51 PM  

I know RS sucks really bad, but I have a premium account so....
but they are having those happy hours, if you have a dynamic IP just check here and there if the happy hours are on and download using (e)lephant(best freeware ever). There are even happy hour checking softwares, google this stuff, hopefully it helps.

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